Here we have a picture of the Empress carving in progress. Her garden has been giving me a sore elbow and numb palms so I'm going to work on the Emperor for a while. In between I will test making relief marks in wood with a woodburning tool and test print. If I like the line quality of the woodburning tool I will use it to finish the Empress' garden.
Wednesday, November 19, 2008
Fool and Magus Color Proofs
Here we have a picture of the Empress carving in progress. Her garden has been giving me a sore elbow and numb palms so I'm going to work on the Emperor for a while. In between I will test making relief marks in wood with a woodburning tool and test print. If I like the line quality of the woodburning tool I will use it to finish the Empress' garden.
Saturday, November 15, 2008
ITALY
If you want to help an itinerant American artist get some exposure to great European works and architecture you can do so by buying my art! You can see most of it within my website: http://www.imp-s.com. If you send me an email message with the word ITALY in the subject line and the name of the work(s) you want in the message I will go into my absolutearts.com porfolio (http://www.absolutearts.com/portfolios/p/pharecamp) or my Etsy Shop (http://www.PhareCamp.etsy.com) and reduce the price just for you. If want a work in the website that's not listed in my portfolio or my etsy shop I will create a listing in Etsy just for you...
May be, just may be this crazy idea will work and I will be able to go to Italy with my college study abroad group. If not I will at least be able to start an Italy savings account and go by myself at a later date...
Ciao, Patti P-C
Friday, November 14, 2008
The Chariot
I do realize that I need some shadows to ground the bike and the doggies, that will be hand drawn on the block, as well as warming up the highlights. Since the light source is from behind the skeleton will be mostly blue violet with peachy warm highlights just on the edges of shoulders, elbows etc. It's in my head don't need to put it in my digital sketches. I suppose I could print it out and watercolor the details...
If any of you viewers are Tarot readers please comment on what it needs for improvement. I may or may not use your advice but I will definitely appreciate it; if anything I'll grow from it!
I'll also appreciate artistic comments on improving the aesthetics and technique.
I'm proofing the fool and the magus in color with the new Graphic Chemical Water Soluble Block Printing Inks. I love them! At first I was concerned as the Lemon Yellow was really loose. I added just a touch of extender to it as the extender is super stiff, well then I couldn't get the brayer charged! So I added a drop of vehicle and it was back to the loose stuff. "Oh well" I thought and just rolled it on the block and printed it. It printed great! The pigment laid down thinly, smoothly and coverage was even. I would have never used oil based so loose on the block but it works with GC's WS. I've got just the lemon and the peacock printed so far. I'll post pics later when I've finished.
Wednesday, November 05, 2008
Update on the Masters
Color proofs of the Fool and the Magus were done. After discussion with my adviser it was decided I should stick to western techniques, using water based relief inks.
My adviser suggested Graphic Chemicals inks and a few days later my friend Rachel asked me if I wanted some Graphic Chemical water based relief inks she didn't plan to use again...
I don't care for the garishness of the pure pigment dispersions in these two proofs and I plan on eliminating some of the cut marks. For instance most of the red marks in the sky behind the Magus' curtain.
I completed the Priestess Keyline block and proofed it.
I'm mostly pleased with this keyline and will work on the color plates after I've reached my semester goal for designs and keylines. I do want to clean up the gap between the numbers at the top and give just a little more definition to the letters at the bottom; though I do like the way it weaves into the image.
As usual, I was so gungho at the beginning of the semester to get started on this work again that I wasn't paying attention and carved nearly the entire Empress plate before I realized that she wasn't backward...
I've re-carved the keyline and am about to the same place I was when I discovered my error. Eventually I will finish carving the 1st one and varnish it as a bas relief work, and a reminder to "pay attention stupid!"
I completed design of the Lovers card and have the basic composition for the Chariot. I still want to go into it and eliminate the cacti, replacing them with skyscrapers and I want to replace the rottweiler on the left with a great Pyrenees. I also want to include some symbolism on the gas tank and an amulet on the rider's chest. Oh and of course I need to put in a number VII and the name of the card.
I have my composition for Strength in mind and have begun the research on the Hermit. Someday soon I will start posting my research on the cards. I should have started out doing so...
Saturday, November 01, 2008
IF: "And I Can See Russia From My House!"
This is a recent aquatint etching I did. I thought it perfectly fit this week's Illustration Friday theme of "Vacant." As well at this week's Dia de los Muertos (Day of the Dead) activities and next week's elections...