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OHM
2004
35" x 46"
Acrylic Paint
This painting was just hanging around waiting to step in for this weeks Illustration Friday topic.
ramblings while under the muse
The Major Arcana in Woodcut
Abstract
I will execute these 3.5” x 6.5” images using the ancient Japanese Hanga method of multicolor woodcut printing and modern relief cut materials such as “Easy Cut®” to create a first edition of 10 sets.
This will not be a set of cards for divination but rather a nonlinear fine art book for meditation and growth, or simply for artistic appreciation.
The Project
I was babysitting in the mid 1970s and the kids were asleep; seeking to relieve the boredom I scanned the client’s bookshelves and came across a book on Tarot. The cover image was intriguing and a quick scan of the contents compelling so I sat down and read it while the client’s children dreamed. The client was surprised on her return to find me wide awake. Realizing I’d been inspired by her library, she pulled out an unopened Rider-Waite Tarot and gifted the deck and book to me. I treasured that gift and practiced with it for over 30 years. Finally in the late 1990s I re-gifted the book and well worn cards to another artist who was developing her own tarot deck. At that time I was experiencing life changes; my only child had left home for military training and I quit my job to use his unused college savings to resume my own interrupted education.
While held captivated in an intense art history lecture I began to visualize the mythological ideologies and Tarot based archetypes that were being discussed. It began with imaginary visions correlating the lecture discussion to the Day of the Dead art and altar installations I’ve been doing for over a decade. These daydreams lead to even more imaginary visions of a Day of the Dead Tarot. It then dawned on me that my medium, woodcut printing, would materialize these visions beautifully and could also make a great master’s thesis.
on for the rest of the deck. They are iconic representations of the best and worst qualities of humanity. Some new age groups claim that they are catalysts for initiation into increasingly higher levels of spiritual growth. I want the cards I create to tie the aspects of the Day of the Dead, an indigenous cultural event and the Tarot, a European concept. I intend to develop this deck using iconography from my Chicano and Indigenous ancestry as well incorporate symbols from my European and Modern American cultural background. Since most archetypes and symbols are universal I should be able to find and develop a wealth of cross cultural transformational imagery.
These cards will not be laminated so they will not be appropriate for divination, rather they will be a non linear book that can be used for meditation, self reflection and artistic appreciation. I intend for each card of this Tarot to stand on it’s own as an individual work of art and still be able to cohesively fit in with the rest of the collective as pages in a loose leaf picture book.
tend to do a 4 color process using Baltic birch plywood for the keyline (black line art) matrix and “Easy Cut®” for the primary color fields. I will work in transparencies of primary colors to create overlapping lines that produce secondary colors. The primary colors I will use are Thalo Blue, Alizarin Crimson and Lemon Yellow. I will print each image onto heavyweight fine art paper that is approximately 4”x7” with 4 deckled edges.